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What Do We Talk About When We Talk About The Headscarf?
(MLA Vulnerable Times, 2014)
[No Abstract Available]
‘Turk Gregory’: Turks and Catholics as Metaphors for Each Other in Shakespeare’s Plays
(British Institute of Florence, 2014)
[No Abstract Available]
Activist, Professional, Family Man: Masculinities in Marjane Satrapi’s Work
(Brill Academic Publishers, 2015)
[No Abstract Available]
Framing Objects: Narrative Museumization of Objects in Vladimir Nabokov and Orhan Pamuk
(Bridges Across Cultures, 2013)
[No Abstract Available]
The Country House and Plot in Ford Madox Ford’s The Good Soldier and Parade’s End
(New Castle University, 2014)
[No Abstract Available]
Vladimir Nabokov'un Eserlerinde Hafıza Mekanları
(Bilim ve Sanat Vakfı, 2014)
[No Abstract Available]
Stagings of Sacrality in Istanbul’s Topkapı Neighbourhood
(Kunsthistorisches Institut in Florenz - Max-Planck-Institut, 2013)
[No Abstract Available]
Good people and chorus girls: the notion of respectability in The Good Soldier and Jean Rhys’s Quartet
(Swansea University and The Ford Madox Ford Society, 2013)
[No Abstract Available]
Breaking the Headscarf Ban in Secular Turkey: An Alternative Educational Establishment in Istanbul
(Bloomsbury Academic, 2014)
This paper examines the programme at Akademistanbul, an alternative establishment of higher learning in Istanbul, and the particular niche it caters for in the Turkish educational system. Its students are all female, and ...
Islamic or Republican? The Ottoman-Republican Turkish Divide in Contemporary Turkish Literature
(Choisir Sa Langue, 2013)
[No Abstract Available]
