| dc.contributor.author | Quinn, Patrick J. | |
| dc.contributor.author | Trout, Steven | |
| dc.date.accessioned | 2021-05-26T10:28:57Z | |
| dc.date.available | 2021-05-26T10:28:57Z | |
| dc.date.issued | 2013 | en_US |
| dc.identifier.citation | QUİNN, Patrick J. & Steven TROUT. "Idealism, Deadlock and Decimation: The Italian Experience of World War I in Ernest Hemingway’s A Farewell to Arms and Emilio Lussu’s Sardinian Brigade". New Perspectives on Ernest Hemingway’s Early Life and Writings, 770 (2013): 113-130. | en_US |
| dc.identifier.uri | https://hdl.handle.net/11352/3563 | |
| dc.description.abstract | In Hemingway’s fiction, the Italian theater of World War I is a theater of the absurd,
alongside which even the notorious Western Front has a measure of dignity and purpose.
France may have “ghastly show[s]” like the Somme or Verdun, but it is there that the real
war is being fought and where its final outcome will be decided (Hemingway, A Farewell to
Arms 18). | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | The Kent State University | en_US |
| dc.rights | info:eu-repo/semantics/embargoedAccess | en_US |
| dc.title | Idealism, Deadlock and Decimation: The Italian Experience of World War I in Ernest Hemingway’s A Farewell to Arms and Emilio Lussu’s Sardinian Brigade | en_US |
| dc.type | bookPart | en_US |
| dc.relation.journal | New Perspectives on Ernest Hemingway’s Early Life and Writings | en_US |
| dc.contributor.department | FSM Vakıf Üniversitesi, Medeniyetler İttifakı Enstitüsü | en_US |
| dc.identifier.volume | 770 | en_US |
| dc.identifier.startpage | 113 | en_US |
| dc.identifier.endpage | 130 | en_US |
| dc.relation.publicationcategory | Kitap Bölümü - Uluslararası | en_US |
| dc.contributor.institutionauthor | Quinn, Patrick J. | |
