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dc.contributor.authorŞimşek, Onur
dc.contributor.authorÖzbaş, Fatih
dc.contributor.authorKaygısız, Ersin
dc.contributor.authorYaşayan, Gözem
dc.contributor.authorIldız, Gülce Öğrüç
dc.date.accessioned2025-03-19T08:59:53Z
dc.date.available2025-03-19T08:59:53Z
dc.date.issued2025en_US
dc.identifier.citationŞİMŞEK, Onur, Fatih ÖZBAŞ, Ersin KAYGISIZ, Gözem YAŞAYAN & Gülce Öğrüç ILDIZ. "Multianalytical Characterization of Byzantine Wall Paintings by SEM-EDX, μ-XRD, Raman and FTIR Techniques". Turkish Journal of Earth Sciences, 34 (2025): 246-262.en_US
dc.identifier.urihttps://journals.tubitak.gov.tr/earth/vol34/iss2/8/
dc.identifier.urihttps://hdl.handle.net/11352/5201
dc.description.abstractIn this study, various analytical methods were employed to examine the mineral based natural pigments in the frescoes of the medieval (9th century) Byzantine church, known today as the Atik Mustafa Pasha Mosque. The techniques include μ-X-ray diffraction (μ-XRD), Raman and Fourier transform infrared (FTIR) spectroscopies, and scanning electron microscopy coupled with energy dispersive X-ray spectroscopy (SEM–EDX). The SEM-EDX technique enabled the identification of the chemical element composition in the studied pieces, while Raman and FTIR spectroscopies, as well as XRD, allowed the identification of mineral phases and mineral based natural pigments in the paints of the frescoes. Fragments of various colors (red, black, yellow, green, pink, cream, and white) were investigated. The analyses showed that the red (and pink) tones were primarily due to hematite (Fe2O3), goethite (FeO(OH) and cinnabar (HgS), amorphous carbon (C) was used to achieve the black color. Yellow tones were mostly attributed to limonite (FeO(OH)·nH2O) and the greens were the result of celadonite (K(Mg,Fe2+)(Fe3+,Al)[Si4O10](OH)2), while the white color was provided by calcite. The combined application of the different analytical methods used proved to be a powerful tool for identifying and determining the compositional makeup of the mineral based natural pigments present in the studied samples. This highlights the importance of a multi-analytical approach in characterizing the investigated historical wall paintings.en_US
dc.language.isoengen_US
dc.publisherTübitaken_US
dc.relation.isversionof10.55730/1300-0985.1957en_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectByzantine Wall Paintingsen_US
dc.subjectMineral Based Natural Pigmentsen_US
dc.subjectCultural Heritageen_US
dc.subjectμ-XRDen_US
dc.subjectRamanen_US
dc.subjectFTIRen_US
dc.titleMultianalytical Characterization of Byzantine Wall Paintings by SEM-EDX, μ-XRD, Raman and FTIR Techniquesen_US
dc.typearticleen_US
dc.relation.journalTurkish Journal of Earth Sciencesen_US
dc.contributor.departmentFSM Vakıf Üniversitesi, Mimarlık ve Tasarım Fakültesi, Mimarlık Bölümüen_US
dc.contributor.authorIDhttps://orcid.org/0000-0002-2088-9543en_US
dc.contributor.authorIDhttps://orcid.org/0000-0002-6655-9363en_US
dc.contributor.authorIDhttps://orcid.org/0000-0002-1945-2870en_US
dc.contributor.authorIDhttps://orcid.org/0009-0002-5935-4383en_US
dc.contributor.authorIDhttps://orcid.org/0000-0002-7827-5050en_US
dc.identifier.volume34en_US
dc.identifier.startpage246en_US
dc.identifier.endpage262en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.contributor.institutionauthorŞimşek, Onur
dc.contributor.institutionauthorÖzbaş, Fatih
dc.contributor.institutionauthorKaygısız, Ersin
dc.contributor.institutionauthorYaşayan, Gözem
dc.contributor.institutionauthorIldız, Gülce Öğrüç


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